2020
ARS ELECTRONICA: Attention Environment#2
Global Gallery: Virtual presentation
On display Sept 9 - Sept 23, 2020
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2020
ARCHIVE MACHINES: Attention Environment#1​
ARCHIVE MACHINES Exhibition at LOS ANGELES MUNICIPAL ART GALLERY, CA.
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The project is part of ongoing research of the Anthropocene, with its materiality presented in junk, ‘abjected’ societal produce, abandoned pieces and found objects that were once made and experienced by people. These artifacts, sourced from the streets, thrift stores and junkyards become descriptive elements – ‘sounding’ micro-models of the world. In this sense, sculptures create a peculiar archive of the current time and people. Hybrid sculptures are context and time-specific pieces that get explored through the resonant feedback of materials and parts.
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About the LAMAG:
Established in 1954, the Los Angeles Municipal Art Gallery (LAMAG) is the longest-running institution in Los Angeles devoted solely to exhibiting art. The gallery’s exhibitions, educational and public programs aim to inspire conversation about contemporary issues. LAMAG is a facility of the City of Los Angeles Department of Cultural Affairs. Established in 1954, the Los Angeles Municipal Art Gallery (LAMAG) is the longest-running institution in Los Angeles devoted solely to exhibiting art. The gallery’s exhibitions, educational and public programs aim to inspire conversation about contemporary issues. LAMAG is a facility of the City of Los Angeles Department of Cultural Affairs.
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on display: JULY 30 - NOVEMBER 1, 2020
2020
Attention.
Vibrating Environments.
Piece for "Attention" / academic publication
at Princeton University
This project is an exploration of resonant feedback of material(s) in custom-made hybridized objects.
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About the Attention Journal:
Attention is an audio journal for architectural culture that uses the medium of sound and spoken word to capture a dimension of architecture otherwise lost in print.
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Scheduled to be published in December 2020
Princeton University, New Jersey
2020
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Scratching the (sur)face of the Anthropocene
Sound, video and sculpture piece for UCLA's academic publication "POOL".
Weaving together these threads of architectural practice as an apparatus to address our temporal position in the world, alongside the media-specific relationship of architecture and experience, this project simulates the new, multilayered materiality of an architectural Masque in the age of the Anthropocene. In the new model, the material surface of a totemic object becomes a multi-sensory experience that occupies both physical and virtual domains. The project is a simulation of new materiality, where waste objects overwhelm in both digital and physical domains.
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Published in May 2020.
2020
soundpedro2020schizophonia: Mescalito's Whistle,
Video and sound piece.
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Virtual Exhibition at Angels Gate Center.
Event organized and curated by FLOOD.
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San Pedro, CA
2019-2020
involuntary park. the aesthetics of anthropocene: architectural masque.
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architectural and sonic environment
research in process
SCI-Arc, LA, CA
2020
Ordinary Hybrid Can Scream
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These Hybrids are a combination of designed (cast models and designed objects) and found objects (produced for mass consumption and found in natural environment) and they can "scream".
This research is part of our ongoing exploration of materials/ textures/ form +/= experiments with sound/ improvisation. It is also an open-ended study overall and process driven exploration of resonant feedback of material(s) here, in particular.
los angeles, ca
2020
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COAXIAL Arts Foundation:
Live audiovisual set
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Working with form and found objects as a matter of seduction.
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Stills from the video.
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Los Angeles, CA
2019
where architectural objects meets the sound object.
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research in process
set of objects: sound and architectural ones
SCI-Arc, los angeles, ca
2019
Perpetual Dune Festival:
Tiny Dunes audiovisual live set
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Live exploration of fragments and objects as dynamic and interactive forms.
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Stills from the video
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2019
Study of hybridization.
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ongoing research into the properties of materials and
their potential for the extraction of new sounds and
forms
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exhibited in los angeles, ca
2019
postlude
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Sound work for Offramp academic
publication at SCI-Arc.
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Postlude is constructed primarily out of the recordings documenting the demolition of several architectural models and minimal electronic soundscape accompaniment.
https://offramp.sciarc.edu/articles/postlude
2019
Ritualistic Mask
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Development of mask for the rituals in the dystopian
future of farming and agriculture industries.
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Short film directed by Case Miller.
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The Mask is an ongoing research of the following themes:
> Masks as Avatars
> Rituals and Ritualistic events + their relationship to fear and worship
> Adornment as a mirror of cosmology
> Masques as architectural events
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2019
anyhow, we had nothing to add to the fabric of life.
art installation and sound performance
studio106LA, los angeles, ca
2019
11 sculptural abjects
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series of sculptural abjects
the2vvo release, los angeles, ca
2018
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slowdown happening
event based art project
studio106LA, santa monica, ca
2018
unstitched resources: a dialogue
art installation
studio106LA, santa monica, ca
2018
arrivals
art installation: video art, sound art
santa monica airport, studio106
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2018
in conversation with steinbruchel
sculpture
santa monica airport, studio106
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2018
triptronics research
live set with participation of
performer, Katherine Taras
echo park, los angeles
2018
SOUNDPEDRO SOUND ART FESTIVAL
Circumstances: Etude II
Ear-oriented event at Angels Gate Arts
Center
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Interactive Sound Sculpture
Los Angeles, CA
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2018
Circumstances: Etude I
Aeroplane Mode
Group Exhibition for Santa Monica Airport Art Walk
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Interactive Sound Sculpture
Los Angeles, CA
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2017
MATCHBOX.TV
Online Residency
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Videoand sound
Berlin, Germany
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2017
CTM FESTIVAL BERLIN
Musicmakers Hacklab
(thezwo was represented by Eldar Tagiyev)
Berlin, Germany
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2017
UNSOUND DISLOCATION Almaty
live audiovisual set
Almaty, Kazakhstan
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2016
vor ort/ on site.
interactive sound sculpture.
Studio 106, LA, USA.
Created with funds of CEC Artslink and in collaboration with Dillon Bastan.
2016
cats cradle.
interactive sound sculpture, Beyond the Lines Art Show, LA,CA
created together with Dillon Bastan
2016
tempus interrupted.
improvisation. movemenet and sound. interactive sound art piece and body movement piece. Changes: time investigation exhibition, Almaty, Kazakhstan
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created as imbue project together with Dillon Bastan, Anatoliy Ogay, Tatyana Kim.
2016
plastic forest/ plastic ocean.
interactive noise sculpture, studio 106, LA,CA
2015
invisible wall.
interactive sound installation.
art residency, kuona trust, nairobi, kenya
2015
the garden of digital birds
sound installation in the mountains.
8th river art residency, almaty, kazakhstan
2015
nature2numbers.
video and sound art piece.
8th river art residency, almaty, kazakhstan
2014
kosmos exhibition. bauhausfest 2014.
4 large spatial installations, 3 sound art pieces, 2 video art works.
in collaboration with guilia albarello, maria jose rubira, mariia kolodyazhna, charlez gonzales, esteban rivera, nina pethu, andjela brasanac, laurian ghinitou, tommy simpson.
bauhaus festival, dessau, germany
2013
music of glaciers. none of your business installation.
art installation: video art, sound art, photography and spatial.
photography is done by Yevgenyi Kolokolnikov.
central asia ( uzbekistan, kyrgystan, tajikistan, kazakhstan)
2013
luk/ look exhibition.
video art, sound art, 2 art installations, 2 photography series, text.
photography by vlad listratov and tang wen, text by evgenyia plakhina.
installations by thezwo and by lukas wirsching.
vorort space, dessau, germany.
2020
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CHICAGO EXPERIMENTAL SOUND SOCIETY: Live performance
Performed live on Sept 4, 2020
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