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2020

CHICAGO EXPERIMENTAL SOUND SOCIETY: Live performance

 

Performed live on Sept 4, 2020

 

 

 

 

 

 

2020

 

ARS ELECTRONICA: Attention Environment#2
Global Gallery: Virtual presentation

 

On display Sept 9 - Sept 23, 2020

 

 

 

 

 

 

2020

 

ARCHIVE MACHINES: Attention Environment#1​
 

ARCHIVE MACHINES Exhibition at LOS ANGELES MUNICIPAL ART GALLERY, CA.

The project is part of ongoing research of the Anthropocene, with its materiality presented in junk, ‘abjected’ societal produce, abandoned pieces and found objects that were once made and experienced by people. These artifacts, sourced from the streets, thrift stores and junkyards become descriptive elements – ‘sounding’ micro-models of the world. In this sense, sculptures create a peculiar archive of the current time and people. Hybrid sculptures are context and time-specific pieces that get explored through the resonant feedback of materials and parts.

About the LAMAG:

  Established in 1954, the Los Angeles Municipal Art Gallery (LAMAG) is the longest-running institution in Los Angeles devoted solely to exhibiting art. The gallery’s exhibitions, educational and public programs aim to inspire conversation about contemporary issues. LAMAG is a facility of the City of Los Angeles Department of Cultural Affairs.  Established in 1954, the Los Angeles Municipal Art Gallery (LAMAG) is the longest-running institution in Los Angeles devoted solely to exhibiting art. The gallery’s exhibitions, educational and public programs aim to inspire conversation about contemporary issues. LAMAG is a facility of the City of Los Angeles Department of Cultural Affairs.

on display: JULY 30 - NOVEMBER 1, 2020

 

 

 

 

 

 

2020

 

Attention.

Vibrating Environments.

 

Piece for "Attention" / academic publication

at Princeton University
 

This project is an exploration of resonant feedback of material(s) in custom-made hybridized objects.

About the Attention Journal:

Attention is an audio journal for architectural culture that uses the medium of sound and spoken word to capture a dimension of architecture otherwise lost in print.

Scheduled to be published in December 2020

Princeton University, New Jersey

 

 

 

 

 

 

2020

Scratching the (sur)face of the Anthropocene

 

Sound, video and sculpture piece for UCLA's academic publication "POOL".
 

Weaving together these threads of architectural practice as an apparatus to address our temporal position in the world, alongside the media-specific relationship of architecture and experience, this project simulates the new, multilayered materiality of an architectural Masque in the age of the Anthropocene. In the new model, the material surface of a totemic object becomes a multi-sensory experience that occupies both physical and virtual domains. The project is a simulation of new materiality, where waste objects overwhelm in both digital and physical domains.

Published in May 2020.

 

 

 

 

 

 

2020

 

soundpedro2020schizophonia: Mescalito's Whistle,

Video and sound piece.

Virtual Exhibition at Angels Gate Center.

Event organized and curated by FLOOD.

San Pedro, CA

 

 

 

 

 

 

2020

COAXIAL Arts Foundation:
Live audiovisual set

Working with form and found objects as a matter of seduction.

Stills from the video.

Los Angeles, CA

 

 

 

 

 

 

2019

 

Perpetual Dune Festival:
Tiny Dunes audiovisual live set

Live exploration of fragments and objects as dynamic and interactive forms.

Stills from the video
 

 

 

 

 

 

 

2019

 

postlude

Sound work for Offramp academic

publication at SCI-Arc.

Postlude is constructed primarily out of the recordings documenting the demolition of several architectural models and minimal electronic soundscape accompaniment.
 

 

https://offramp.sciarc.edu/articles/postlude

 

 

 

 

2019

 

Ritualistic Mask

Development of mask for the rituals in the dystopian

future of farming and agriculture industries.

Short film directed by Case Miller.

_

The Mask is an ongoing research of the following themes:

> Masks as Avatars

> Rituals and Ritualistic events + their relationship to fear and worship

> Adornment as a mirror of cosmology

> Masques as architectural events



 

 

 

 

 

2019

 

anyhow, we had nothing to add to the fabric of life.

art installation and sound performance 

studio106LA, los angeles, ca

 

 

 

 

 

 

2019

 

11 sculptural abjects

series of sculptural abjects 

the2vvo release, los angeles, ca

 

 

 

 

 

 

2018

slowdown happening

event based art project

studio106LA, santa monica, ca

 

 

 

 

 

 

2018

 

unstitched resources: a dialogue

art installation

studio106LA, santa monica, ca

 

 

 

 

 

 

2018

 

arrivals

art installation: video art, sound art

santa monica airport, studio106

 

 

 

 

2018

 

in conversation with steinbruchel

sculpture

santa monica airport, studio106

 

 

 

 

2018

 

triptronics research

live set with participation of

performer, Katherine Taras

echo park, los angeles

 

 

 

 

 

 

2018

 

SOUNDPEDRO SOUND ART FESTIVAL

Circumstances: Etude II
Ear-oriented event at Angels Gate Arts
Center

Interactive Sound Sculpture

Los Angeles, CA

 

 

 

 

 

 

2018

 

Circumstances: Etude I

Aeroplane Mode 
Group Exhibition for Santa Monica Airport Art Walk 

Interactive Sound Sculpture

Los Angeles, CA

 

 

 

 

 

 

2017

 

MATCHBOX.TV

Online Residency

Videoand sound 

Berlin, Germany

 

 

 

 

 

 

2017

 

CTM FESTIVAL BERLIN

Musicmakers Hacklab

(thezwo was represented by Eldar Tagiyev)

Berlin, Germany

 

 

 

 

 

 

2017

 

UNSOUND DISLOCATION Almaty

live audiovisual set

Almaty, Kazakhstan

 

 

 

 

 

 

2016

 

vor ort/ on site.

interactive sound sculpture. 
 

Studio 106, LA, USA.

Created with funds of CEC Artslink and in collaboration with Dillon Bastan.

 

 

 

 

 

 

 

2016

 

cats cradle.

interactive sound sculpture,  Beyond the Lines Art Show, LA,CA

 

created together with Dillon Bastan

 

 

 

 

 

 

 

2016

 

tempus interrupted.

improvisation. movemenet and sound. interactive sound art piece and body movement piece. Changes: time investigation exhibition, Almaty, Kazakhstan

created as imbue project together with Dillon Bastan, Anatoliy Ogay, Tatyana Kim.

 

 

 

 

 

 

 

2016

 

plastic forest/ plastic ocean.

interactive noise sculpture,  studio 106, LA,CA

 

 

 

 

 

 

 

2015

 

invisible wall.

interactive sound installation.

art residency, kuona trust, nairobi, kenya

 

 

 

 

 

 

2015

 

the garden of digital birds

sound installation in the mountains.

8th river art residency, almaty, kazakhstan

 

 

 

 

 

 

 

 

 

2015

 

nature2numbers.

video and sound art piece.

8th river art residency, almaty, kazakhstan

 

 

 

 

 

 

2014

 

kosmos exhibition. bauhausfest 2014.

4 large spatial installations, 3 sound art pieces,  2 video art works.

in collaboration with guilia albarello, maria jose rubira, mariia kolodyazhna, charlez gonzales, esteban rivera, nina pethu, andjela brasanac, laurian ghinitou, tommy simpson.

bauhaus festival, dessau, germany

 

 

 

 

 

 

 

 

2013

 

music of glaciers. none of your business installation.

art installation: video art, sound art, photography and spatial.

photography is done by Yevgenyi Kolokolnikov.

central asia ( uzbekistan, kyrgystan, tajikistan, kazakhstan)

 

 

 

 

 

 

2013

 

luk/ look exhibition. 

video art, sound art, 2 art installations, 2 photography series, text.

photography by vlad listratov and tang wen, text by evgenyia plakhina.

installations by thezwo and by lukas wirsching.

vorort space, dessau, germany.

 

 

 

 

 

 

 

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